tag:blogger.com,1999:blog-18637185.post1998704846596644740..comments2023-11-05T04:24:38.843-08:00Comments on blood and ink: words and pictures.Elijahhttp://www.blogger.com/profile/16793858096708968178noreply@blogger.comBlogger2125tag:blogger.com,1999:blog-18637185.post-3429753862511420012007-03-29T14:47:00.000-07:002007-03-29T14:47:00.000-07:00This isn't strictly to the point but I'm reminded ...This isn't strictly to the point but I'm reminded of Mike Mignola's method of page/panel composition. He says he always does the word balloons first and works out the best way to "read" the page that way.Scott Faulknerhttps://www.blogger.com/profile/04017047782663517483noreply@blogger.comtag:blogger.com,1999:blog-18637185.post-46536127321933576102007-03-27T09:02:00.000-07:002007-03-27T09:02:00.000-07:00Thanks for this post, I really enjoyed it. Maybe t...Thanks for this post, I really enjoyed it. <BR/><BR/>Maybe this question is for another topic, but the whole Stan Lee/Daredevil thing reminded me of collaboration between writers and cartoonists.<BR/><BR/>What methods are used when writers collaborate with cartoonists? Is there a general script format? Do you think that there are certain themes or styles of writing that lend better to comics? If a writer wanted to approach a cartoonist about working together on a project what would be the most professional way to do this? What are some things writers should ask themselves before contacting a artist for collaboration on a project?<BR/><BR/>Just something I'd be curious to know more about...<BR/><BR/>Thanks again.Alissa Nielsenhttps://www.blogger.com/profile/05070315120647138685noreply@blogger.com